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Guide to British Music of the 1960s |
August 2000 |
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CD Review |
The Immediate Singles Boxed Set |
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Making Time Guest Reviewer: John Kearney of the Immediate Records Web site: http://www.immediate.qc.ca. For the first time ever the complete output of original Immediate singles has been assembled and released. Although a five CD compilation was issued in Germany several years ago many tracks were missing. Not so with this set. Furthermore, since several original singles were quickly withdrawn this will be the first occasion for many to listen to the complete output of this legendary British label. Even bona fide collectors like myself have spent years tracking down these sides. I didn't actually claim to have heard all the sides until 1998 even though I had been actively collecting the label since 1967. The six CDs are packaged in a tear-stained box; a replica of the Blues Anytime series released in 1968. Inside, each CD is packaged in a cardboard sleeve depicting a black and white image of one of their many acts. The history of the label is well detailed by David Wells with clear insights on how Immediate and Oldham and Calder operated. Wells should be given credit for explaining Tony Calder's role as he was equally as responsible for the label's success as his partner. The pictures used for the booklet include press releases, European picture sleeves, advertising material, and as well pictures from newspaper articles. The original singles are cued in chronological order with the A side first followed by the B side. All 83 singles are represented along with the US only Hill sides and the demo only Outer Limits singles (later released on Instant). Left out was the Small Faces' Mad John extended US/Canadian/Australian only mix which is unexplainable and inconsistent considering the context of the package and their alternate Wham Bam take called Me,You & Us Too which was issued on the demo copies. The US only edited promo of Humble Pie's Natural Born Woman, the four EPs, the four promo only singles, and the Instant sides were not included leading way to speculation that these could be issued separately at a later date. As well the two Revolution singles which were originally distributed by Immediate are not to be found. Disc number one literally kicks off with a bang, A Bang! Records that is, as The McCoys' Hang On Sloopy was licensed from that American label in order to kick start Immediate in the UK. A hit it was, reaching the Top Ten in the summer of 1965 although future chart action would not be immediate (pardon the pun!). Immediate's third release I'm Not Sayin' by Nico was a Gordon Lightfoot composition; Immediate being one of the first to recognize this up and coming Canadian composer and doing justice to his art. The flip, the very disposable The Last Mile was a Jimmy Page/Andrew Oldham composition, later recycled as an Immediate instrumental, a popular money saving gimmick to ensure low costs and publishing royalties for Immediate's publishing division. Gregory Phillips' take on Billy Joe Royal's Down In The Boondocks has a raw edginess missing on the original that's refreshing to hear and is the first of many tracks previously unissued since the original release. Other gems on disc one are from The Poets and The Mockingbirds. This first disc shows the lack of direction the label was at but would soon be corrected with the arrival of Chris Farlowe whose The Fool single opens disc two. By this stage Immediate was forging a path of its own with artists like Farlowe and Les Fleurs de Lys. While no bona fide hits on this CD we are treated to Tony Rivers & The Castaways whose two sides of The Beach Boys material certainly helped Immediate Music who were publishing their music at the time. Charles Dickens covering the Stones' So Much In Love should have been a contender for the charts but failed. It's interesting to note that the flip Our Soul Brother TH credited to Dickens was actually the Cyril Davies All Stars minus Cyril. The same track would appear under a new moniker on the Blues Anytime series. Talk about recycling! We are introduced to Immediate's two best newcomers on disc three with P.P.Arnold, late of the Ike & Tina Turner Revue, and folksy duo Twice As Much. Farlowe finally scores big with the Stones' Out of Time and later records the Mariott/Lane classic My Way of Giving while the Twice As Much version of Sittin' On A Fence was showing off the Jaggar/Richard team as strong rivals to Lennon/McCartney. Another Small Faces track (Tell Me) Have You Ever Seen Me is interpreted by the Apostolic Intervention, which featured future Humble Pieman Jerry Shirley. The flip, an instrumental, Madame Garcia, is a band original instrumental sometimes credited to Marriott/Lane which features Steve Marriott. Disc four highlights the peak period of Immediate's success with such classics as P.P. Arnold's The First Cut Is The Deepest; The Small Faces Here Come The Nice and Itchycoo Park and The Nice with The Thoughts Of Emerlist Davjack. (in case you never knew Emerlist Davjack was Keith Emerson, David O'List, Brian Davidson, and Lee Jackson). The highlight of this disc is The Australian Playboys with Black Sheep, R.I.P., the rarest of the Immediate single releases. It's been long rumored that the master to this freak-beat classic was lost but comparing it to the original single Castle either obtained an original master or did an unbelievable job of transposing it from record as the quality is astonishingly brilliant, clear and vibrant. Rod Stewart's one off single for Immediate Little Miss Understood starts off Disc 5. Two more Immediate legends are introduced in the form of Duncan Browne and Billy Nicholls. We are also treated to two hits by the Small Faces Tin Soldier, and The Universal, P.P. Arnold's Angel Of The Morning, as well as the team of Arnold/Faces on (If You Think You're) Groovy and The Nice, P.P.Arnold's former back-up band, return with their take on West Side Story's America. (The child speaking at the end of this song is none other than Pat Arnold's son, Kevin.) The last gasp for the label is on disc six with the chart topper (If Paradise Is)Half As Nice by Amen Corner who also released Roy Wood's Hello Susie and The Beatles' Get Back. Fleetwood Mac's one release for Immediate Man Of The World paved the way for their deal with Warners. Of course, Immediate introduced the world to Humble Pie via the Chuck Berry inspired Natural Born Bugie. The Immediate Singles Collection does not include any alternate takes or unreleased material but when one considers the scarcity of the original singles there is no need for any 'rarities' on this set. The quality of the tracks is excellent overall although one can assume that actual records were used instead of masters on certain tracks. When listening to this collection from disc one to disc six one can hear the progression of the label and the direction is was heading in. From the poppy sounds of the mid-sixties to the heavier sounds of Humble Pie and The Nice, Immediate was set to enter the seventies when the cash ran out and the creditors started calling. Steve Marriott's song See You Later Liquidator on Humble Pie's 3rd album (recorded by and intended for Immediate but released by A&M) is a reference to these problems. The early seventies saw the success of many former Immediate'ites: Rod Stewart with The Faces, Humble Pie, Fleetwood Mac, Keith Emerson with ELP, Coliseum with Chris Farlowe, Gould and Goldman of the Mockingbirds now with 10CC; producer Paul Raven reinvented as Gary Glitter, Nico and the Velvet Underground, Goldie now Genya Ravan in Ten Wheel Drive; producer Jimmy Page as the leader of Led Zeppelin; Billy Nicholls achieved success as a songwriter for Leo Sayer and Roger Daltry; Andy Fairweathwer Lowe with La Booga Rooga and later as Eric Clapton's (another one-time Immediate'ite) right hand; Pink Floyd's whose first recording was released through Immediate subsidiary Instant Records...many of these artists are still around today. Most articles, stories, or reviews make reference to Immediate's famous, but corny, slogan Happy To Be A Part of The Industry Of Human Happiness but most miss the real meaning behind it: Happy To Be Apart From The Industry.... was what they were really all about. Released: 2000 Sequel (Castle) NXTCD 324Essential Tracks:
Track Listing:
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?Making Time 1997-2001