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Guide to British Music of the 1960s |
June 2003 |
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CD Review |
The Small Faces - Ultimate Collection |
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This is a collection that has been almost 35 years in the making. Over the years there have been many Small Faces collections, many of these promising to be the ultimate collection of Small Faces tracks. So why is this latest release The Ultimate Collection? Quite simply, this is the first CD, at least the first official release sanctioned by the band, that includes all of the band's singles and other outstanding tracks. It comprises around half of their recorded output. This is without doubt the best collection of Small Faces tracks that has been put together. Prior to this you could choose between an excellent Decca collection or an excellent Immediate collection. There was a strong argument for buying both but if you were looking for one CD only you had to choose. Now you can have the best of the Small Faces on one 2CD set. Why is everything divided into two parts? The Small Faces' career was divided in two. Manager Don Arden signed the band with Decca where they had a string of hits starting with What'Cha Gonna Do About It and including the sole number one All or Nothing. The debut was written for the band and based closely on Everybody Needs Somebody To Love if you thought it sounded familiar. Thinking they could write a hit, the Small Faces next released I've Got Mine written by Steve Marriott and Ronnie Lane. Despite being featured in the film Dateline Diamonds this failed to chart. Not willing to risk another self-penned track Arden arranged for the band to record Sha La La La Lee written for them by Kenny Lynch and Mort Schuman. This returned them to the charts. The Marriott/Lane songwriting team was given another chance and this led to a string of hit singles including Hey Girl My Mind's Eye and All or Nothing. However, the band was becoming disillusioned with Arden and Decca and when Andrew Loog Oldham came along and offered them unlimited studio time and creative freedom through his newly-formed Immediate Records they jumped at the chance. The second CD features the Immediate years. Gone is the rough R & B style of the earlier tracks for a more refined music, bordering on psychedelia at times. Starting with the drug song that did not receive a ban (no-one appears to have noticed what the song was about) Here Comes the Nice, the CD covers some of the Small Faces most creative work, indeed some of the more creative work that came out of England during the late 1960s and this was generally an exceptionally creative age. Itchycoo Park is arguably the best-known of the tracks but it is Tin Soldier that is particularly outstanding. A clear winner in the reader's poll on Making Time's Room for Ravers Small Faces site, it was also voted the ninth greatest single of all time in a Mojo readers' vote. Quite simply this track has everything. it was where every member of the band performed superbly, the layers of guitars and Mac's Hammond, Ronnie Lane's bass line and Kenney Jones' explosive drumming and then there is Steve Marriott's vocal performance which ranges from soft to screaming. This is augmented with the superb PP Arnold on backing vocals. The "final" Small Faces single, The Universal sounds quite different to anything else and is, more or less, just Marriott with acoustic guitar. Recorded in his garden in London the track even features Marriott's dog on background barking. A posthumous single was Afterglow (Of Your Love). Like Tin Soldier, this features a series of moods and is generally ranked as one of Marriott's best-ever vocal performances. He thought it as just a soppy love song! In 1968 the Small Faces released the concept album Ogden's Nut Gone Flake. A number of tracks are represented here including the heavier Rollin' Over, a taste of what was to come with Humble Pie. Some of the later tracks continue this heavy style. Wham Bam Thank You Mam and Don't Burst My Bubble are excellent examples. Overall there is nothing here that has not been available before. However, the sound quality has been improved, even from recent reissues, and the songs sound better than they have ever done. This is some of the greatest pop from the 1960s. Release Date: May 2003 Highest UK chart placing: 24 Essential Tracks: Track Listing: The Decca Sessions |
?Making Time 1997-2008