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The Incredible String Band at the BBC

Release date: April 2007

Hux

 

Track Listing

Disc One

  1. Bright Morning Stars
  2. Worlds They Rise and Fall
  3. Spirit Beautiful
  4. Willow Pattern
  5. Turquoise Blue
  6. Whistle Tune
  7. Darling Belle
  8. You've Been a Friend To Me
  9. I Know That Man
  10. The Circle is Unbroken
  11. The Old Buccaneer
  12. Black Jack David

Bonus tracks

  1. Fine Fingered Hand
  2. Everything's Fine Right Now
  3. Raga Puti
  4. Empty Pocket Blues

Disc Two

  1. Al Writ Down
  2. Dust be Diamonds
  3. Theta
  4. Beautiful Stranger
  5. Won't You Come See Me
  6. Oh Did I Love a Dream
  7. Secret Temple
  8. Rends-Moi Demain
  9. Dream of No Return
  10. Jane
  11. Dear Old Battlefield
  12. Log Cabin Home in the Sky
  13. 1968
  14. Medley

Bonus tracks

  1. Ring Dance
  2. Long Long Road
  3. Living in the Shadows
Review: The Wire, July 2007

Across The Airwaves: BBC Radio

Recordings 1969-1974

HUX 2xCD

This set is the most complete collection yet of the songs The ISB recorded for the BBC, both in concert and for sessions commissioned by the likes of John Peel and Stuart Henry. Some tracks remain unheard, almost certainly wiped after broadcast, and half a dozen tracks here are taken from off-radio recordings salvaged from The Incredibles' persistent fan network. Altogether there are 13 previously unreleased tracks - commendable archaeology from compiler Adrian Whittaker. The problem, though, is that the earliest tracks are from February 1969, by which time the albums that have sealed the group's reputation, The Hangman's Beautiful Daughter and Wee Tam And The Big Huge, are already trailing in the group's cinnamon-scented slipstream. The 'cellular songs' that propagated over those albums like knots of sucker ivy are less common; on the whole the lyrics are less gnomic, striving for a clarity and innocent delight typical of the era. Robin Williamson and Mike Heron pole-vault at the higher notes with an extremely wobbly stick. The In Concert segments are a real screwball satchel of songs, from the sublime - Heron's "Worlds They Rise And Fall", uncannily close to something like John Cale's "Big White Cloud" - to the ridiculous and rather ill- advised chinoiserie of "Willow Pattern", a sub- Gilbert and Sullivan micro-operetta with armpit-torching 'Chinee'falsettos. In 1972 they were still cranking out a "Hangman's Medley", included here, which although presumably to keep crowds at bay, is a reminder of a moment when each song could contain ragas, folky twitchiness, prayer-meet devotionals and hallowed visions, rolling and tumbling like a sackfull of tickled stoats. One of the group's last songs "1968",from 1974, seems to hint that they knew it too: "Did we step wrong somewhere/Did me my friend/Are we lost? Are we lost?"
ROB YOUNG

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