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The Heron has
Landed
Mike Heron live in
London 20th April 1996
In support of the new album, Where
the Mystics Swim, Mike Heron turned up with most of the Incredible
Acoustic Band to play two shows in the 12 Bar Club (which only had
one bar I must add) in April 1996. This is a review of the first
show on Saturday 20 April.
Time Out Preview, 17 April 1996
Although he's never really been
away, Mike Heron is back, providing an opportunity for spiritual
folkies and unreconstructed hippies everywhere to rejoice and
remember their long-lost locks and fervid past. In the innocent,
mind-expanding '60s, Heron, with Robin Williamson, comprised the
nucleus of the Incredible String Band, a pioneering outfit
responsible for a radical, psychedelic folk music (and radical
psychedelic folk music scene) that both mirrored and
epitomised the heady, druggy eccentricity, surreal whimsey and
alternative religiosity of the times. They even proved influential
on the Beatles during their post-Sergeant Pepper immersion in the
counter-culture, and, with times passing, seem to be gaining
increasingly widespread recognition and approbation.
Subsequent to the ISB, Heron has
pursued a somewhat erratic career, often veering more towards the
rock end of things. A new album Where the Mystics Swim
(Demon), however, sees him once more unashamedly drenched in the
folk stylings of yore, albeit crucially updated and shorn of
self-indulgence. Possibly lacking a certain resonance and
intensity, it is still a richly expressive and enjoyable
accomplished collection of gentle, folk-flavoured melody and muse.
In recognition of this stylistic reversal forwards, his new band
are named in acknowledgment to his halcyon past. Intriguingly,
Robin Williamson (now a respected Celtic storytelling bard) has
also been in town of late. Would it be too much to hope that he
might pop along and allow himself to be cajoled on to the stage
too?
Ross Fortune
A Triumphant Return
The 12 Bar Club is a small folk
club situated in Denmark Street in London's West End. Denmark
Street was formally known as Tin Pan Alley, the place where you
bought and sold songs in the old days before you wrote your own.
The street is still the centre of the music industry and is a
guitarist's paradise. Tucked away at the end of an alley is the 12
Bar Club, a 7-day-a-week folk club that can best be described as
"intimate". It was straining to bursting point on
Saturday night with the door closed early, such is Mike's regained
popularity.
The evening began with short set
from Lesley Ann Wright and was followed by Sonny Condell,
previously of Tir Na Nog and Scullion. Peter Byrne also played
some Irish-tinged folk music including a storming version of
Voodoo Chile which brought cheers from the tightly-packed throng.
Mike Heron divided his set into two
halves to allow himself a cup of tea in the interval and the rest
of us to fight our way to the bar to replenish our beers. The
sound of banging things told us that Dave Haswell was performing
well on percussion, but, packed away behind his ensemble in the
corner of the stage, very few of us actually saw him. Mike and
guitarist John Rutherford squeezed onto what was left of the stage
and were able to demonstrate a fine awareness of gymnastics in
reaching their places.
Mike started with Tom &
Alexei, the first song from the new album When the Mystics
Swim. Most of the audience were singing along from the very
beginning. He continued with many of the songs from the album
including 1968, a song also recorded during String Band
days. Naturally any String Band song brought extra cheers and we
were treated to Red Hair, Log Cabin Home in the Sky
and Everything's Fine Right Now.
However, the new album formed the
core of the show and, as I remember, all the songs were played at
some point. Mike introduced them all, explaining where they came
from. Mostly Jack Keroac-inspired. He paid tribute to another of
his heroes with Song for Robert Johnson. Songs from the
past came back again with Blackfoot Side and he finished
with Feast of Stephen from Smiling Men. The encore,
as ever, was Baby Goodnight.
It was a triumphant gig in a packed
club with plenty of atmosphere, if somewhat warm at times. Mike,
John and Dave looked as if the journey down South was worthwhile,
clearly enjoying playing here. After these two gigs in London,
let's hope it's not too long before he is able to undertake a more
extensive tour.
Martin Payne
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